South China Morning Post, 26 Nov 1975, p.22, Kenneth Whiting (AP), 'Indonesia: a fresh start': ten-year retrospective on the 1965 coup and 'bloodbath' (about 300,000 killed, 100,000 jailed, 20,000 political detainees still held), with oil-led economic recovery. A short passage says women were killed if believed to be p
The Guardian (Weekend Guardian), 8 Sept 1990, p.A4, John Gittings, 'The black hole of Bali': long feature on the 1965 massacre (250,000 or more killed), how the killings were organised by the army under Suharto, the Aidit/PKI role, the US list of communists (Martens/Kadane) and US encouragement, survivors ('Tapols') an
South China Sunday Morning Post, 27 Sep 1998, p.8, Jenny Grant: after Suharto's fall, historians and politicians call for a reassessment of the 1965 coup and killings; the government has dropped compulsory screening of the New Order propaganda film. The article repeats that members of 'the communist women's organisatio
South China Morning Post, 17 July 1999, p.37, Marian Wilkinson (Sydney Morning Herald), 'Killing off the communists': newly released US embassy and CIA cables show US officials encouraging the army's anti-PKI campaign in Oct-Nov 1965, urging anti-PKI propaganda that links 'diabolical murder and mutilation of the genera
Tempo testimony (1 Oct 2012) of I Ketut Mantram, 72, PNI village secretary in Jembrana, Bali, who joined the 37-man 'Tameng/Rantai' squad that executed PKI members on Kodim lists for about three months, burying bodies in coastal pits. Gerwani is not mentioned.
Tempo report (1 Oct 2012) on how mass killing began in Bali from Tegalbadeng, Jembrana, after a shooting on 30 Nov 1965; PNI 'Tameng Marhaenis' squads, trucks and beach executions, with RPKAD arrival in Dec (Geoffrey Robinson). Testimony from Ida Bagus Raka Negara and others on the Toko Wong detention site. Gerwani is
Tempo.co interview (21 Sep 2026, Yosea Arga) with Balinese writer Oka Rusmini about her poetry book 'Kembang' (28 Aug 2026), inspired by the film 'You and I' on survivors Kusdalini and Karminah. She discusses women's layered trauma, state stigma and sexual violence; one poem evokes the slander of young women prisoners