Women's federation vice-chair hosts Gerwani puppet-art study delegation
Brief Xinhua note in Renmin Ribao (22 July 1965, p. 4): on 19 July Kang Keqing, vice-chair of the All-China Women's Federation, gave a banquet for the Gerwani delegation studying puppet art, led by Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July as guests of the Federation. Evidence of Gerwan
Guests from eighty countries at China's National Day, 1965 (snippet)
Snippet-only Renmin Ribao extract (1 Oct 1965, p. 3) on foreign guests at China's 16th National Day. It lists a Gerwani delegation for the study of puppet art (leader's name uncertain) among Indonesian groups; truncated. Full text is GA-01980.
Guests from eighty countries celebrate China's National Day on the eve of the 1965 coup
Xinhua report in Renmin Ribao (1 Oct 1965, p. 3) on 2,000+ guests at China's 16th National Day, dated the eve of the 1965 coup. Only Indonesian items are translated: MPRS and economic delegations, a PKI delegation under Sidik Kertapati, SOBSI, Harian Rakjat and a Gerwani puppet-art study delegation (leader's name uncer
Berita Yudha, 30 January 1966 (Sunday edition)
Berita Yudha, 30 Januari 1966 (edisi Minggu). Wayang-based moral column 'Tepa-Palupi (60): Bhatari Durga' retells the cursing of Uma into the demon Durga; Gerwani is invoked implicitly through the female-demon figure.
Not a bit of butter: press freedom and imprisoned writers in Indonesia
Fragment of a De Volkskrant piece (2 Apr 1973) on press freedom in Suharto's Indonesia, listing imprisoned writers and journalists (Bandaharo Harahap, Oei Hay Djun, Mrs. Sugiarti Siswadi, Mrs. Rusijati, Mrs. Lies Sukatno and others) and rebutting H.B. Jassin's claim of press freedom. Gerwani is not named.
Literature imprisoned
De Waarheid, 20 Sep 1975, p. 3: fragment of an article on a visiting Indonesian parliamentary 'delegation' asking whether they discussed Indonesian literature; it lists imprisoned writers (Pramoedya Ananta Toer, Bujung Saleh, Sitor Situmorang, Rivai Apin, Hadi Soesastro, Benny Tjung, Mrs. Sugiarti Siswadi, Samandjaja,
Suharto's answer (Lekra artists persecuted)
De Waarheid, 6 Nov 1976, p. 2: fragment on Suharto's destruction of the Lekra cultural movement in 1965 (book burnings, banned art), with a long list of murdered or imprisoned artists, including Pramoedya, Henk Ngantung, Bujung Saleh and writer Sugiarti Siswadi, noted as sentenced to 12 years (OCR garbled). Also an unr
Asian Women and Political Repression (poem), Quest: A Feminist Quarterly, Winter 1978
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Asian Women and Political Repression (poem), Quest: A Feminist Quarterly, Winter 1978
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
US Embassy Jakarta cable, 19 Jan 1978: P.E.N. 'Freedom to Write' list of imprisoned Indonesian writers
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
US Embassy Jakarta cable, 19 Jan 1978: P.E.N. 'Freedom to Write' list of imprisoned Indonesian writers
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Books restrained, writers in cell: Bandar Harahap, 'Sarinah and I' (BZZLLETIN)
De Waarheid, 24 Apr 1979, p. 4: review of the BZZLLETIN issue on 'books under restraint', arguing that Indonesian literature is little translated while many writers are jailed under Suharto: Pramoedya on Buru, Bandar Harahap, Buyung Saleh and writer Sudjinah, held since 1966 in Bukit Duri women's prison. Covers Rendra
TAPOL Bulletin No. 46, July 1981: 'A Hundred Minus Six' (S. Rukiah among banned writers)
TAPOL Bulletin No. 46 (July 1981). A note, 'A Hundred Minus Six', reports that a four-volume Indonesian short-story anthology had to drop six writers deemed involved in G30S/PKI, among them S. Rukiah (Rukiah Kertapati), alongside Pramoedya. The same issue covers the banning of Pramoedya's Buru novels. Gerwani is not me
Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
For a free Indonesia (founding of the Wertheim Foundation)
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
Media Indonesia, 18 August 1991: Romo Mangun's novel-essay (Durga Umayi)
Media Indonesia, 18 Aug 1991, p. 15: review of Y.B. Mangunwijaya's Durga Umayi summarising the heroine's path from Sukarno's household servant to rape, prostitution and becoming 'an important figure in Gerwani', a political fugitive.
Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Tempo, 1 October 2007: Aidit's face on celluloid
Tempo feature (1 Oct 2007) on how D.N. Aidit was portrayed in the New Order film Pengkhianatan G-30-S/PKI, via interviews with Syu'bah Asa, Danarto, Amarzan Ismail Hamid and Jajang C. Noer. Notes thin research and an invented chain-smoking Aidit; context for film propaganda.
Aku Seorang Gerwani: poem (Omie Lubis, 2009)
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Tempo, 1 October 2012: Film, state terror and the nation's wound (Ariel Heryanto)
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Missing Victims of the 1965-66 Violence: Representing Impunity On-screen in The Act of Killing (Hearman, 2014)
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Bhinneka, October 2015: Half a Century of the 1965 Genocide (Indonesian edition, women ex-prisoners' testimonies)
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015: Half a Century of the 1965 Genocide (Indonesian edition, women ex-prisoners' testimonies)
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).