De Waarheid, 15 Jan 1954, p. 2: brief notice that, in view of an upcoming Gerwis congress, the NVB organises an 'Indonesia evening' on 27 January in the Doelenzaal, Amsterdam, with a speech by Annie Averink, a reading from Max Havelaar by Bep van Geel and a film on Indonesian women's lives.
De Waarheid, 28 Jan 1954, p. 2: report on the NVB Amsterdam 'Indonesia evening' attended by about 200 women, with krontjong music, a reading from Multatuli, a film from the High Commission, and Annie Averink's speech on Indonesia's colonial past and on Gerwis's tens of thousands of members campaigning for a democratic
Java-Bode, 15 March 1956, p. 2: installation of the new film censorship committee (chair Maria Ulfah Santoso) and film council at the education ministry. Among some thirty censorship members is Setiati Soerasto (Surasto), a figure from the 1953 Copenhagen delegation; the item gives no Gerwani affiliation or comment.
Mainichi Shimbun (Tokyo morning edition, 2 Sep 1959, p. 5): article on Asakura Setsu's travel piece on the women of Indonesia. The OCR is almost entirely scrambled, so this summary rests on the title and a few legible words; no named Gerwani member or Gerwani mention is visible.
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
JPRS translation page (Translations on South and East Asia, 1964, seq 520) on a PKI national conference on revolutionary literature and art. Secretary Sudisman opens it; a 17-person presidium includes D.N. Aidit, Njoto, S. Rukiah and Mia Bustam from Central Java; Aidit reports on serving workers, peasants and soldiers
Moscow News (English), 25 April 1964, pp. 13-16 section. Includes a travelogue by a Soviet cultural-delegation member on Indonesia (new Jakarta monuments, Soviet-built stadium, 100,000 students, Lekra in Bandung) and a short item on a Moscow meeting marking Kartini's birth, run by the USSR-Indonesia Society's Women's C
Xinhua report in Renmin Ribao (1 Oct 1965, p. 3) on 2,000+ guests at China's 16th National Day, dated the eve of the 1965 coup. Only Indonesian items are translated: MPRS and economic delegations, a PKI delegation under Sidik Kertapati, SOBSI, Harian Rakjat and a Gerwani puppet-art study delegation (leader's name uncer
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
Front-page De Waarheid listing (9 Apr 1988) of paper contents and events: Jan de Wit's story as a refuser, an essay on Kartini by Annie van Ommeren-Averink, a VPRO radio series on conscientious objectors, and a 21 April Kartini evening at the Tropenmuseum where Wertheim speaks and Francisca Fanggidaej discusses the pos
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.
Tempo feature (1 May 2021) on publisher Ultimus (Bandung) reissuing works by woman writer S. Rukiah, banned after 1965 because she was jailed as a Lekra activist: 'Kejatuhan dan Hati' and 'Tandus' (2017), children's book 'Pak Supi' (2018), and nine more children's titles found in libraries. Gerwani is not mentioned.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa