De Waarheid, 28 Jan 1954, p. 2: report on the NVB Amsterdam 'Indonesia evening' attended by about 200 women, with krontjong music, a reading from Multatuli, a film from the High Commission, and Annie Averink's speech on Indonesia's colonial past and on Gerwis's tens of thousands of members campaigning for a democratic
Mainichi Shimbun (Tokyo morning edition, 2 Sep 1959, p. 5): article on Asakura Setsu's travel piece on the women of Indonesia. The OCR is almost entirely scrambled, so this summary rests on the title and a few legible words; no named Gerwani member or Gerwani mention is visible.
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
JPRS translation page (Translations on South and East Asia, 1964, seq 520) on a PKI national conference on revolutionary literature and art. Secretary Sudisman opens it; a 17-person presidium includes D.N. Aidit, Njoto, S. Rukiah and Mia Bustam from Central Java; Aidit reports on serving workers, peasants and soldiers
Moscow News (English), 25 April 1964, pp. 13-16 section. Includes a travelogue by a Soviet cultural-delegation member on Indonesia (new Jakarta monuments, Soviet-built stadium, 100,000 students, Lekra in Bandung) and a short item on a Moscow meeting marking Kartini's birth, run by the USSR-Indonesia Society's Women's C
Xinhua report in Renmin Ribao (1 Oct 1965, p. 3) on 2,000+ guests at China's 16th National Day, dated the eve of the 1965 coup. Only Indonesian items are translated: MPRS and economic delegations, a PKI delegation under Sidik Kertapati, SOBSI, Harian Rakjat and a Gerwani puppet-art study delegation (leader's name uncer
Fragment of a De Volkskrant piece (2 Apr 1973) on press freedom in Suharto's Indonesia, listing imprisoned writers and journalists (Bandaharo Harahap, Oei Hay Djun, Mrs. Sugiarti Siswadi, Mrs. Rusijati, Mrs. Lies Sukatno and others) and rebutting H.B. Jassin's claim of press freedom. Gerwani is not named.
De Waarheid, 20 Sep 1975, p. 3: fragment of an article on a visiting Indonesian parliamentary 'delegation' asking whether they discussed Indonesian literature; it lists imprisoned writers (Pramoedya Ananta Toer, Bujung Saleh, Sitor Situmorang, Rivai Apin, Hadi Soesastro, Benny Tjung, Mrs. Sugiarti Siswadi, Samandjaja,
De Waarheid, 6 Nov 1976, p. 2: fragment on Suharto's destruction of the Lekra cultural movement in 1965 (book burnings, banned art), with a long list of murdered or imprisoned artists, including Pramoedya, Henk Ngantung, Bujung Saleh and writer Sugiarti Siswadi, noted as sentenced to 12 years (OCR garbled). Also an unr
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
De Waarheid, 24 Apr 1979, p. 4: review of the BZZLLETIN issue on 'books under restraint', arguing that Indonesian literature is little translated while many writers are jailed under Suharto: Pramoedya on Buru, Bandar Harahap, Buyung Saleh and writer Sudjinah, held since 1966 in Bukit Duri women's prison. Covers Rendra
TAPOL Bulletin No. 46 (July 1981). A note, 'A Hundred Minus Six', reports that a four-volume Indonesian short-story anthology had to drop six writers deemed involved in G30S/PKI, among them S. Rukiah (Rukiah Kertapati), alongside Pramoedya. The same issue covers the banning of Pramoedya's Buru novels. Gerwani is not me
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
Media Indonesia, 18 Aug 1991, p. 15: review of Y.B. Mangunwijaya's Durga Umayi summarising the heroine's path from Sukarno's household servant to rape, prostitution and becoming 'an important figure in Gerwani', a political fugitive.
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Viola Lasmana's 2018 USC dissertation reading literary, film and digital works as 'shadow imagination' counter-archives that talk back to the New Order master archive of 1965. Literary-cultural study; Gerwani peripheral.